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Library automation --- Library materials --- Digitization --- 025.7 --- Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- 025.7 Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Library collections (Materials) --- Materials, Library --- Library resources --- Bibliotheekautomatisering --- Library materials - Digitization
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Book conservation --- Books --- Livres --- Conservation and restoration --- Conservation et restauration --- 025.7 --- 001.895 --- Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- 025.7 Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Library materials --- Library collections (Materials) --- Materials, Library --- Library resources --- Book repairing --- Book-worms --- Care --- Repairing --- Mutilation, defacement, etc. --- Information technology --- European Union countries --- Conservation and restoration. --- Techniques
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Dieser Band präsentiert die Beiträge eines Workshops der Andrew W. Mellon Foundation und der Stiftung Preußischer Kulturbesitz zum Thema Erstellung und Nutzen digitaler Sammlungen von Bibliotheken, Museen und Archiven zum Lernen und Lehren. This volume presents contributions to a workshop held by the Andrew W. Mellon Foundation and the Stiftung Preußischer Kulturbesitz (Prussian Cultural Heritage Foundation) on the subject of creating and using digital library, museum and archive collections for learning and teaching purposes.
025.7 --- 026.068 --- 069 --- 37 --- Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Software, programmatuur. Elektronische informatiebronnen. Digitale bibliotheken. Virtuele bibliotheken --- Permanente tentoonstellingen. Musea --- Opvoeding en onderwijs --(algemeen) --- 025.7 Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- 37 Opvoeding en onderwijs --(algemeen) --- 069 Permanente tentoonstellingen. Musea --- 026.068 Software, programmatuur. Elektronische informatiebronnen. Digitale bibliotheken. Virtuele bibliotheken --- Architecture --- Art --- Digital libraries --- Digital curation --- Digital media collections --- Digital media libraries --- Digital repositories --- Electronic libraries --- Electronic publication collections --- Electronic publication libraries --- Electronic text collections --- Repositories, Digital --- Virtual libraries --- Libraries --- Information storage and retrieval systems --- Web archives --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Electronic information resources --- History --- Design and construction --- Computer network resources --- Congresses --- Museums --- 37 Education --- Education --- Art, Primitive --- Architecture, Primitive
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Deze bevraging van 25 Vlaamse erfgoedbibliotheken roept het beeld op van een slechts stilaan ontwakende sector die de voorbije decennia geen of onvoldoende aandacht heeft gekregen en daardoor op vele vlakken een grote achterstand heeft opgelopen. De erfgoedwerking rond bewaarbibliotheken bevindt zich nog te vaak in de marge, zowel van de erfgoedsector als van de instellingen waartoe ze behoren. Hoewel met het Cultureel-erfgoeddecreet van 2008 een nieuw elan tot stand kwam, is een door de sector gedragen toekomstperspectief rond erfgoedbibliotheken absoluut noodzakelijk. De achterstanden kunnen niet ingehaald worden zonder een bewustmaking van de erfgoedbibliotheken zelf, de besturen waaronder ze ressorteren, het publiek dat ze al dan niet bedienen, en last, not least, de Vlaamse overheid. This survey of 25 Flemish heritage libraries evokes the image of a gradually awakening sector that has received little or no attention in past decades and that has thus developed a major disadvantage in many respects. In many cases, the heritage aspects of libraries are still too peripheral in terms of both the institutions to which they belong and the heritage sector as a whole. Despite the new impetus that emerged from the Cultural Heritage Decree of 2008, a perspective on the future of heritage libraries that is supported by the entire sector is imperative. The backlogs cannot be eliminated without raising the awareness of the heritage libraries themselves, as well as that of the boards to which they are accountable, the public that they may serve and ? finally, but importantly ? the Flemish government.
Book conservation --- digitizing --- conservation [discipline] --- Library automation --- cataloging --- Subject indexing --- Flanders --- 904 --- Academic collection --- 930.25 <493> --- 025 --- 025.17:094 --- C3 --- bibliotheekwezen --- informatica --- erfgoed --- bibliotheken --- informatiebeheer --- 611 Bibliotheken --- 025 Bibliotheekbeheer --- Bibliotheekbeheer --- 904 Culturele overblijfselen uit historische tijden. Antiquitates --- Culturele overblijfselen uit historische tijden. Antiquitates --- 025.17:094 Bibliotheekbeheer: speciale collecties-:-Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora --- Bibliotheekbeheer: speciale collecties-:-Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora --- 930.25 <493> Archiefwetenschap. Archivistiek--België --- Archiefwetenschap. Archivistiek--België --- Kunst en cultuur --- Monumentenzorg ; Cultureel erfgoed ; conservatie --- Papieren patrimonium ; conserveringsbeleid --- Bibliotheekwezen ; bibliotheekbeheer --- Libraries --- Bibliotheek --- Erfgoed --- Conservatie (geschiedenis) --- Digitalisering --- Behoud en beheer --- Boekgeschiedenis --- Bibliotheekbeleid --- Erfgoedbeleid --- Vlaanderen --- 025.7 --- 025.7 Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren
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Are you prepared? Whether you work with a special collection in a local archive or museum, in a large national library or managing records for the NHS, an emergency plan is critical to your organisation's future. Dadson draws on a decade of experience and award-winning training in this essential practical toolkit, enabling you to respond quickly and effectively to flood, fire and other emergencies. Expert advice is interwoven with cross-sectoral and international case studies drawn from high profile and smaller and medium sized organisations offering a breadth of relevant experience and advice. Regardless of your time or cost constraints this text will outline exactly how to minimise risk, tackle real emergencies and ensure business continuity. Each chapter guides you through the essentials including: an introduction to emergency planning in the information and heritage sectors; getting started on your plan; alarm raising and incident containment; the recovery operation; salvaging collections critical documents such as priority lists, floorplans and disaster kits; business continuity and IT recovery; ensuring the plan's efficacy; risk management and disaster prevention. This is the ultimate resource for all those who work with collections in libraries, archives, museums and historic houses internationally, whether large or small. It's also an invaluable tool for those working with records, in councils or with the NHS. Lastly it offers a concise introduction to emergency planning and response for international students of LIS.
Library management --- Emergency management --- Libraries --- Museums --- Archives --- Risk management --- Management --- 025.7 --- 699.8 --- Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Protection of and in buildings. Emergency measures. Precautions --- 699.8 Protection of and in buildings. Emergency measures. Precautions --- 025.7 Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Library planning. --- Library materials --- Museum conservation methods. --- Conservation methods, Museum --- Museum techniques --- Conservation of library materials --- Preservation of library materials --- Planning --- Consequence management (Emergency management) --- Disaster planning --- Disaster preparedness --- Disaster prevention --- Disaster relief --- Disasters --- Emergencies --- Emergency planning --- Emergency preparedness --- Public safety --- First responders --- Public institutions --- Cabinets of curiosities --- Documents --- Manuscript depositories --- Manuscript repositories --- Manuscripts --- Documentation --- History --- Information services --- Records --- Cartularies --- Charters --- Diplomatics --- Public records --- Safety measures. --- Planning. --- Conservation and restoration. --- Safety measures --- Preservation --- Preparedness --- Prevention --- Depositories --- Repositories --- Emergency management. --- Bibliothèques. --- Musées --- Mesures de sûreté. --- Library buildings --- Archival materials --- Conservation and restoration --- Risk management. --- Library risk management --- Library administration --- Library collections (Materials) --- Materials, Library --- Library resources --- Buildings, Library --- Public buildings --- Materials, Archival --- Buildings --- Libraries - Risk management --- Museums - Management --- Archives - Management
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The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.
Antiquities -- Collection and preservation -- Moral and ethical aspects. --- Antiquities -- Collection and preservation -- Social aspects. --- Cultural property -- Protection. --- Cultural property -- Repatriation. --- Excavations (Archaeology) -- Moral and ethical aspects. --- Museum exhibits -- Moral and ethical aspects. --- Museums -- Acquisitions -- Moral and ethical aspects. --- Museums -- Philosophy. --- Museums --- Museum exhibits --- Cultural property --- Antiquities --- Excavations (Archaeology) --- General --- Museum Publications --- Moral and ethical aspects --- Acquisitions --- Protection --- Repatriation --- Collection and preservation --- Social aspects --- Philosophy --- Moral and ethical aspects. --- Social aspects. --- Protection. --- Repatriation. --- Philosophy. --- Display techniques --- Displays, Museum --- Museum displays --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Repatriation of cultural property --- Cultural property, Protection of --- Cultural resources management --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Exhibitions --- Government policy --- Law and legislation --- Restitution --- Public institutions --- Cabinets of curiosities --- Museum techniques --- Archaeology --- Cultural policy --- Historic preservation --- Material culture --- 037 --- 069.01 --- 7.025.7 --- 7.025.7 Kunstwerken: verlies, teloorgang door o.a. diefstal of tijdens transport --- Kunstwerken: verlies, teloorgang door o.a. diefstal of tijdens transport --- 069.01 Museologie --- Museologie --- Collection and preservation&delete& --- Acquisitions&delete& --- musea --- Musées --- Objets exposés --- Biens culturels --- Antiquités --- Fouilles (Archéologie) --- Aspect moral --- Collections et conservation --- Aspect social --- Philosophie --- Accessibility. --- American Journal of Archaeology. --- American Schools of Oriental Research. --- Ancient Egypt. --- Ancient Greece. --- Ancient Greek art. --- Antiquities. --- Archaeological context. --- Archaeological site. --- Archaeology. --- Art Loss Register. --- Art museum. --- Arts and Crafts movement. --- Beijing. --- Benin. --- Burial. --- Cambridge University Press. --- Capital Museum. --- Censorship. --- Circumstantial evidence. --- Civilization. --- Collecting. --- Colonialism. --- Consideration. --- Cosmopolitanism. --- Country of origin. --- Crime. --- Criticism. --- Cultural Property (Japan). --- Cultural appropriation. --- Cultural heritage. --- Cultural nationalism. --- Cultural property law. --- Cultural property. --- Curator. --- Elgin Marbles. --- Epigraphy. --- Euphronios Krater. --- Fu Hao. --- Funding. --- Iconoclasm. --- Ideology. --- Indigenous peoples. --- Insider. --- Institution. --- Intellectual property. --- International Council of Museums. --- J. Paul Getty Museum. --- Jews. --- Kenya. --- Kwame Anthony Appiah. --- Lansdowne portrait. --- Lecture. --- Legislation. --- Literature. --- Looting. --- Material culture. --- Matthew Bogdanos. --- Member state. --- Metropolitan Museum of Art. --- Museum. --- National Museum of the American Indian. --- National Palace Museum. --- National Treasure (Japan). --- National treasure. --- Native American Graves Protection and Repatriation Act. --- Neolithic. --- Newspaper. --- Ownership. --- Partage. --- Personhood. --- Philistinism. --- Private collection. --- Provenance. --- Publication. --- Punitive expedition. --- Repatriation (humans). --- Rhetoric. --- Roman art. --- Ruler. --- Smithsonian Institution. --- Smuggling. --- Sophistication. --- State ownership. --- Statute. --- Superiority (short story). --- Taliban. --- Tax. --- The Hundreds. --- The New York Review of Books. --- The New York Times. --- Theft. --- Tomb of Fu Hao. --- Tomb. --- Treaty. --- Tribal art. --- UNESCO. --- Urkesh. --- Work of art. --- World Heritage Site.
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